
George Jan Kooymans, the renowned Dutch guitarist, showed a passion for music from a remarkably young age. Growing up in The Hague, he was heavily influenced by the wave of rock music sweeping through Europe in the 1950s and 60s. Inspired by artists like Elvis Presley and The Shadows, Kooymans began experimenting with the guitar when he was just a child. His early dedication to mastering the instrument set him apart from his peers, and by his early teens, he was already performing with local bands. The supportive environment of the thriving Dutch music scene offered Kooymans ample opportunities to develop his craft and find his unique voice. In 1961, he co-founded the band that would eventually become Golden Earring, marking the beginning of an illustrious musical journey. Those formative years were not only pivotal in shaping his technical abilities as a guitarist, but also in instilling a deep appreciation for songwriting, a talent that would later play a key role in the band’s

Golden Earring’s ascent from a local Dutch band to international rock music stardom was marked by ambition, innovation, and the unwavering creative drive of George Jan Kooymans. The turn of the 1970s saw the band experimenting with their sound, blending hard rock, progressive elements, and catchy songwriting to carve out a niche on the European music scene. Kooymans’ guitar work and gritty vocals became defining features of the group, particularly as they honed their style on albums like “Moontan.” Their single “Radar Love” became a breakout hit, not just in the Netherlands but across Europe and eventually in the United States, where it cracked the Billboard Hot 100. This track, shaped by Kooymans’ distinctive riffs and dynamic songwriting, propelled Golden Earring onto the world stage and established them as one of the first continental European bands to secure regular airplay in North America. The group’s relentless touring schedule and energetic live performances reinforced their growing reputation, with

George Jan Kooymans’ approach to songwriting and guitar work was central to the unmistakable sound of Golden Earring. His compositions balanced powerful rock music energy with intricate arrangements and memorable hooks, resulting in songs that stood out on both radio and stage. As a songwriter, Kooymans had a knack for combining evocative lyrics with strong melodic lines, crafting timeless hits such as “Twilight Zone” and “Radar Love,” both of which became anthems and appeared on the Billboard Hot 100. He often drew inspiration from cinematic themes and contemporary events, weaving narratives that captured listeners’ imaginations and gave Golden Earring’s music a distinctive edge.
On guitar, Kooymans was known for his blend of gritty, blues-based riffs and nuanced, melodic solos. He favored both precision and emotion, injecting each song with a sense of urgency or suspense, as heard in the driving rhythm of “Twilight Zone” and the propulsive momentum of “Radar Love

The enduring legacy of George Jan Kooymans extends far beyond his celebrated years with Golden Earring. As a Dutch guitarist and principal songwriter, his artistry has been a vital inspiration for countless musicians within the Netherlands and across the world. Many contemporary artists who grew up listening to tracks like “Radar Love,” “Twilight Zone,” and other Billboard Hot 100 successes cite Kooymans as a pivotal influence in their approach to rock music composition and performance. His skillful blending of accessible hooks with sophisticated musical textures challenges younger generations to push the boundaries of traditional rock while maintaining a focus on storytelling and emotional connection.
Kooymans’ contributions fostered an environment within the Dutch rock scene where originality and authentic expression became highly prized values. Bands from diverse genres, not limited to rock, often point back to Golden Earring’s albums as foundational listening, noting how Kooymans’ guitar work taught them that technical mastery and raw feeling should go hand in hand. His fearless experimentation with sound






